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Bucherer features signature diamond collections in Christmas campaign

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Bucherer Fine Jewellery has unveiled its new Christmas campaign featuring a selection of its signature diamond collections for the festive season.

The Inner Fire range features contemporary pieces defined by simple forms and a mix of diamond cuts. 

Meanwhile, Baguette Love uses geometric settings and clean lines, and Toi and Moi pairs two contrasting stones as a representation of balance and connection. 

Completing the collection are Bucherer’s The Stretchy Tennis Bracelets that are designed without clasps, creating a continuous line of gemstones. Each bracelet is set with carefully sourced gemstones.

Founded in Lucerne in 1888, Bucherer Fine Jewellery is recognised for its expertise in sourcing rare diamonds and coloured gemstones.

Bucherer said: “Christmas is a celebration of love and emotion, a time to cherish closeness, share heartfelt gestures, and honour what truly endures. Amid fleeting trends and passing moments, diamond jewellery stands as a timeless symbol of meaning and devotion. 

“It represents a promise of togetherness, a declaration of love, and a lasting reminder of what is eternal. The collections from Bucherer Fine Jewellery capture this spirit with grace and brilliance.”

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Join Us: An Evening with Bremont and Jimmy Chin at the Windup Watch Shop Showroom

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Next Thursday night, we are hosting something special. We are teaming up with Bremont for an intimate event featuring world renowned climber, skier, photographer, filmmaker, and Academy Award winning director Jimmy Chin. If you know his work on films like Free Solo, Meru, The Rescue, and Return to Space, then you already know this will be a rare chance to hear from one of the most accomplished adventure storytellers of our time. Here are full event details:

Thursday, November 13
6:30 to 8:30 PM
Windup Watch Shop Showroom
540 President Street, Suite 1G
Brooklyn, NY 11215

RSVP HERE

Bremont will bring a curated selection of their latest watches, including the Terra Nova Jumping Hour, Altitude MB Meteor Stealth Grey, and Supermarine 500m. Their team will be on hand to answer questions, help you try things on, and share more about their partnership with Jimmy. We will also host a sit down conversation with Jimmy about his career, the expeditions that shaped him, and his work with Bremont.

Food and beverages will be served. Space is limited, so please RSVP to secure your spot.

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Windup Watch Fair NYC 2025 Recap: Ten Years In and Still Breaking the Mold

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Ten years in, and the Windup Watch Fair still feels like a completely new way to interact with the watch industry. For three days in midtown Manhattan, Center415 transformed from a sleek Fifth Avenue venue into the living, breathing heart of watch enthusiast culture. No velvet ropes, no VIP lists—just open doors, multiple halls full of watches, and a community that’s grown from a scrappy gathering of enthusiasts into one of the most important fixtures on the watch industry’s calendar, with over 11,000 attendees.

This year marked the fair’s tenth anniversary, and we didn’t celebrate quietly. We expanded the layout to four full halls, bringing together more than 140 brands from 17 countries. We’d like to sincerely thank our Lead Sponsors: Bremont, Bulova, Christopher Ward, Oris, and Shinola. Without these strong anchors this experience wouldn’t be free and open to everyone. We’d also like to express our gratitude to each and every brand who participated, bringing some of the most interesting watches and products to the event and continuing to nudge the industry forward!

When guests arrived, they entered through the EDC Expo, presented by Topo Designs—an energetic reception area filled with the gear, tools, and accessories that round out modern enthusiast life: knives, pens, packs, and all the small essentials that speak the same design language as the watches themselves. Beyond that, three additional halls awaited, each blending independent and enthusiast brands with more established, heritage watch companies. The mix was deliberate—a seamless experience where visitors could move from a young maker showing their first prototype to a century-old manufacturer debuting a new release, all in the same breath.

Among the most talked-about launches of the weekend were two unmistakable crowd-pleasers. Christopher Ward and Worn & Wound together unveiled The Brooklynite, a watch designed in tribute to Brooklyn’s creative energy and its role in shaping modern watch enthusiasm. Its sharp geometry, warm metallic tones, and urban inspiration made it one of the fair’s most photographed pieces—and one that felt perfectly suited for Windup’s 10th anniversary setting. Just a few booths away, Bulova drew its own crowd with the Snorkel Windup NYC Limited Edition, a bold and playful twist on one of its most iconic dive designs. The custom colorway, Windup branding, and nods to the city that never sleeps made it both a collectible and a fitting homage to the event itself. Together, the two releases captured the spirit of the fair—accessible, creative, and rooted in community.

By the time doors opened, lines stretched down and around the block. Some attendees camped out before dawn, one even claiming the first spot at 1:30 a.m. just to snag a limited-edition drop. Inside, the crowd energy hit that rare balance between excitement and genuine connection—people clustered around booths, swapping stories, snapping wrist shots, and finding those special pieces to add to their collections. Miyota, the Official Movement Sponsor of Windup, enabled folks to go hands on with different pieces of precision movements.

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AI and Watchmaking: The Future of Design, Creativity, and Authenticity

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Artificial intelligence, whether we like it or not, plays an active role in all of our lives. When we search for something on the internet, call a customer service representative, or dash off a quick email, AI is working either passively in the background or very actively in the foreground in a number of ways that we simply can’t avoid. For a long time, I was a skeptic. I still am, basically, but I’ve accepted there are ways artificial intelligence can make my life easier. Like many others, I’ve started using ChatGPT nearly everyday for a variety of things that would otherwise suck time out of my day, and quite possibly the joy out of my life. (But never, it’s worth pointing out, to create articles for Worn & Wound – this is a red line we won’t cross.) 

Naturally, I’ve thought a little about how artificial intelligence could impact the watch industry, and change it for both the better and worse. Of course, it already is impacting the watch industry in a number of ways. I receive press releases on a daily basis that have clearly been polished or written from start to finish by artificial intelligence, and the impact of artificial intelligence on search results plays a huge role in who finds websites like ours, and how. But we haven’t yet reached a point where the use of AI is spilling over into actual watches worn on people’s wrists, at least not in ways that are transparent to the end user. 

This G-SHOCK was designed with an assist from AI

I started to reflect on all of this in a major way earlier this year shortly after we published this post on a G-SHOCK designed in part by artificial intelligence. I wrote that article and frankly it felt somewhat unremarkable to me in the moment, but this G-SHOCK post, to my complete surprise, became one of the top performing posts on our website this year. I’m not sure if that’s a reflection of a deep interest in AI among our readers, necessarily, but I think it definitely represents a desire for information from the broader public on how artificial intelligence plays a role in shaping how the products we use everyday are designed. 

The G-SHOCK in question strikes me as an interesting half measure between a human designed watch and, what I think many in our community fear, a watch created completely from artificial intelligence. According to G-SHOCK, the “frame” of the watch was designed with an AI assist – they were not super clear on exactly what that means, but I imagine it indicates that generative AI provided an initial design, and it was tweaked by humans. Or perhaps the reverse is more likely, and AI was used to strengthen certain aspects of the design that escaped the human designers. Either way, it was framed as a collaborative process between human beings and our AI overlords. 

When I look at what AI seems to do well, I become concerned that the watch industry (and other industries, to be fair) will use these powerful tools to extract as much profit as possible from consumers, rather than create better products and solve watchmaking problems. Artificial intelligence is quite good at analyzing data, so it follows that number crunchers at brands might read that as a way to predict trends, and put watches conceived in boardrooms on a glidepath to production based on engagement, Instagram likes, and YouTube views. A version of this is certainly already happening in those same boardrooms at many big, conglomerate owned brands. But until now they’ve always had to rely on the human factor to actually make decisions. There will come a time, if it’s not already here, when decision making on the greenlighting of new products will be left to artificial intelligence. 

There’s nothing wrong with brands wanting to put out products that they know will sell well, of course. But we’ll reach a point where it will become so easy for an artificial intelligence to tell us exactly what will be a hit, any incentive for pure creativity or risk will be thrown out the window. Imagine Tudor asking a powerful AI tool to scrub the internet and all of their sales data to determine the watch that should be their next point of focus. Do you think we’ll get something like the Black Bay P01 or a silver cased Black Bay 58? I suspect it would suggest new dial colors that would be popular for Pelagos and Black Bay models that sell well. And everything would be made into a GMT.

Could AI ever come up with something as weird and wonderful as the Black Bay P01?

There is an AI future as it relates to the watch landscape that’s bleak, and it points toward watches that are dull, and watch brands leaning heavily on AI generated slop that replaces the work of professionals. Benrus recently launched a new digital AI campaign they’re calling “For the Brave, By the Brave.” It features a series of short films created using AI tools meant to “stir a sense of timeless bravery and nostalgic purpose.” OK, sure. They are clips of a simulated baseball game, and a simulated soldier crawling through the mud, and a simulated woman stepping toward a ship. They are meant, I suppose, to tie history to Benrus watches, but the history here is, plainly, imagined and enhanced by artificial intelligence. Benrus has a century of real history and heritage to draw from, so the use of artificial intelligence in this way, and leaning directly into it, strikes me as a missed opportunity. It also reflects a calculation that their customers will accept this type of marketing as authentic to the brand and its values, which is something that will be tested over time.

In my mind the most exciting possibility of artificial intelligence use as it relates to watchmaking is the next step that could potentially be taken in the G-SHOCK example above. Will there be a future where actual chronometry problems that have plagued watchmakers for centuries could be solved by artificial intelligence? Imagine hyper accurate mechanical watches made in ways we currently can’t even conceive of aided by AI. With every generation of new watchmakers there are ideas and developments that the previous generation couldn’t have imagined. The high frequency oscillators used instead of the traditional balance by brands like Frederique Constant and Zenith weren’t dreamed up by artificial intelligence, but this is the kind of big leap that the most optimistic observers hope is something we can look forward to in the future. And even if human watchmakers come up with the idea, it seems like a good use of AI might be to assist in solving the inevitable production problems that plague any new generation of technology, potentially getting something innovative on the wrists of enthusiasts more quickly and more affordably. Maybe it’s not too late to use artificial intelligence for that purpose to get those oscillator based movements a little more exposure – this already feels like an advancement destined to be an afterthought. 

In the meantime, there’s at least one incredibly useful application for artificial intelligence that all watch enthusiasts can take advantage of right now. The next time you’re scrolling through Instagram, watching a movie, or out in the wild and catch a watch on a wrist that you can’t quite identify, take a screenshot or (discreetly) snap a picture and ask your chatbot of choice to tell you what it is. I’ve been doing this with old YouTube clips recently and I haven’t been steered wrong once. 

A quick example: the above clip of PJ Harvey on Letterman from 25 years ago is perhaps a top five late night television musical performance of all time for me, and I’ve wondered, literally for decades, what the hell she’s wearing on her wrist in this clip. Is it a watch at all, or just a bracelet? If it’s a watch, it looks vaguely avant-garde, almost like a DeBethune or MB&F, but the timing wouldn’t be right for either of those brands. 

Finally, late one night, it occurred to me that I could do for this clip what I’ve been doing for random IG posts and other photos found all over the internet for months. I took a bunch of screenshots, asked ChatGPT to tell me what watch she was wearing, and in an instant a years-long mystery was solved. The answer (most likely a derivative of the Gucci 1100L bangle watch that was popular in the early 2000s) was not particularly exciting or satisfying. But the ability to solve an admittedly low stakes mystery like this provided an almost immediate dopamine boost, as did the realization that the various “Watch Spotting” posts we’re so used to seeing probably have a similar process to thank for their mere existence. 

The post AI and Watchmaking: The Future of Design, Creativity, and Authenticity appeared first on Worn & Wound.

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A History and Guide to Marathon Watches

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The post A History and Guide to Marathon Watches appeared first on Worn & Wound.

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Olivier Rousteing își părăsește rolul de director de creație al casei de modă Balmain

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Designerul Olivier Rousteing se retrage din rolul său de director de creație al casei de modă Balmain, post pe care l-a ocupat pe durata ultimilor 14 ani. Rousteing avea 25 de ani când a preluat frâiele creative ale brandului francez. Odată cu numirea sa ca director de creație pentru Balmain, care a avut loc în aprilie 2011, acesta a devenit cel mai tânăr designer non-fondator al unei case de modă pariziene de la Yves Saint Laurent încoace (care avea 21 de ani când a fost numit director de creație pentru Dior în 1957). De asemenea, a fost prima persoană afroamericană numită în fruntea unui brand de modă francez cu tradiție, marcând un shift către o viziune mai progresistă a industriei modei.

Pe durata a

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Kiki McDonough unveils 2025 Special Editions collection

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Jewellery designer Kiki McDonough is set to launch its new Special Editions Collection for 2025 on 7 November, comprising 25 pieces to mark a significant year for the business.

Each design features a gemstone selected over the past year for its cut, colour and character. The collection combines coloured gemstones with diamonds in a series of contemporary designs.

Pieces in the range include the pink tourmaline and diamond frame necklace, the pear fire opal and diamond pendant and the green tourmaline and diamond frame necklace. 

Other items include the rubellite and diamond bloom earrings, green amethyst drop earrings, aquamarine pear earrings, heart morganite necklace, fire opal pendant and the Toi et Moi ring set with green tourmaline and rubellite.

The collection also includes rings such as the aquamarine with diamond zig-zag detail ring, the green tourmaline and rubellite Toi et Moi ring and the tanzanite and diamond wave detail ring.

Kiki McDonough, founder of the eponymous brand, said: “There’s something truly special about working with one-of-a-kind gemstones. Each stone has its own story, and the collection celebrates that uniqueness. For over forty years, these remarkable gemstones have inspired me and my clients.”

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De Beers reshuffles executive team as COO steps down

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De Beers Group has announced senior management changes as chief operating officer Burger Greeff prepares to retire at the end of the year after more than 30 years with the company.

Kevin Smith, currently executive vice-president of corporate affairs and strategy, will become interim chief operating officer from 1 December 2025. 

Eirik Waerness, senior vice-president and chief economist, will take on the role of acting executive vice-president of corporate affairs and strategy.

Greeff joined De Beers Group in 1993 as a senior research officer at De Beers Consolidated Mines. He later held leadership positions including senior research manager for strategy, general manager at De Beers Marine SA, and executive head of technical and sustainability.

Meanwhile, Smith joined De Beers in 1996 and has held a range of operational, technical and commercial roles across De Beers and Anglo American. 

As executive vice-president of corporate affairs and strategy, he has led delivery of the group’s Origins strategy and earlier contributed to its upstream business strategy.

Additionally, Waerness joined De Beers in September 2025 from Norwegian energy company Equinor, where he served as chief economist for 12 years and also headed strategy. At De Beers, he oversees global market and price analysis and will now add responsibility for global communications, government affairs, strategy and business development.

Al Cook, chief executive of De Beers Group, said: “As chief operating officer, Burger has brought integrity, strategic foresight and unwavering commitment to our purpose. His contributions have helped shape the future of our operations and inspired many across the business.

“With Burger’s departure, I am delighted that Kevin Smith, a highly respected leader with an outstanding track record, will take over the leadership of our operations. He brings nearly 30 years of experience and a range of skills, including working with our government partners in Botswana and Namibia to drive success in our joint ventures.”

He added: “I also welcome Eirik to the De Beers executive committee as he moves into the role of acting executive vice-president of corporate affairs and strategy. With more than 12 years in chief economist roles and extensive board experience, he brings a unique global perspective that will strengthen our leadership team.”

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David Beckham a purtat un costum creat de soția sa, Victoria, pentru a-și accepta titlul de cavaler

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La începutul acestei săptămâni, David Beckham a primit titlul de cavaler din partea Regelui Charles, pentru serviciile aduse fotbalului și societății britanice. Pentru a-și primi titlul, Beckham a purtat o ținută creată special pentru eveniment de către soția sa, Victoria Beckham.

Fostul căpitan al echipei naționale engleze – care devine acum Sir David Beckham –  a fost înnobilat cu titlul de cavaler în cadrul unei ceremonii care a avut loc la Castelul Windsor. Pentru a-și accepta titlul și medalia, acesta a purtat un costum cu trei piese din lână englezească și mohair într-o nuanță elegantă de gri. Victoria Beckham este, desigur, cunoscută pentru creațiile sale din zona de womenswear, însă este prima dată când se aventurează în moda masculină. În ceea ce privește ținuta proprie, Victoria a purtat o versiune custom made a unei rochii bestseller sub semnătura brandului său (rochia Bela). Cei doi, care f

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Diarrha N’Diaye, fondatoarea Ami Colé, a fost cooptată pentru a conduce extinderea companiei Skims în zona de beauty

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Diarrha N’Diaye, fondatoarea brandului de beauty Ami Colé, va deveni vicepreședinte executiv al diviziei de cosmetice și parfumerie a Skims Beauty, o nouă ramură a labelului de vestimentație și accesorii fondat în 2019 de Kim Kardashian.

N’Diaye are un portofoliu impresionant în cadrul industriei de beauty. A lucrat alături de companiile Glossier și L’Oréal, iar în 2021 și-a creat propriul brand de beauty, numit Ami Colé. La începutul acestui an, a fost anunțat faptul că Ami Colé își va înceta activitatea, însă în numai cei câțiva ani de la lansare, labelul adunase mulți fani care apreciau faptul ca era focalizat pe o estetică naturală, tip „no makeup makeup”, și pe incluziune, fiind dedicat tuturor raselor și tonurilor de piele.

Kim Kardashian
Kim Kardashian

Fanii brandului vor putea să regăsească elementele-cheie care defineau estetica Ami Colé și în noul Skims Beauty – cel puțin așa se anunță lucrurile. Kim intenționează să readucă pe piață „produse de makeup clasice, dar și entuziasmul ritualurilor de beauty. În același timp, își dore

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Louis Vuitton Monterey

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Louis Vuitton reintroduce modelul Monterey: un simbol orologer reimaginat pentru colecționarul modern. La Fabrique du Temps Louis Vuitton își reia activitatea în premieră cu primul său ceas de mână din 1988, îmbinând designul avangardist al lui Gae Aulenti cu măiestria contemporană într-un ceas cu cadran Grand Feu emailat, în ediție limitată. 

Louis Vuitton a dezvăluit Monterey , un ceas în ediție limitată care reinterpretează primul ceas de mână al Casei – o piatră de hotar în domeniul orologeriei, lansată inițial în 1988. Monterey reflectă un dialog între trecut și prezent, aducând un omagiu vizionarei Gae Aulenti, arhitecta și designerul italian din spatele ceasurilor originale LV I și LV II . 

Creat de La Fabrique du Temps Louis Vuitton, noul Monterey revizitează silueta distinctivă „cu pietricele” a modelelor originale, ridicând în același timp codurile sale tehnice și estetice. Ediție limitată la 188 de exemplare , ceasul întruchipează dedicarea Casei față de inovație, artă și eleganță durabilă. 

Când Louis Vuitton a lansat modelele LV I și LV II în 1988, a marcat o abatere îndrăzneață de la normele tradiționale de orologerie. În parteneriat cu Gae Aulenti – celebră pentru transformarea Gării Orsay din Paris în Muzeul Orsay – celebra Maison a introdus două ceasuri avangardiste, care au îmbinat inovația în design cu spiritul călătoriei. 

Louis Vuitton Monterey II

Modelul LV I, o creație de 40 mm din aur alb sau galben, avea o coroană setată la ora 12, ca o aluzie la ceasurile de buzunar, alături de funcții de oră mondială și GMT. Fratele său mai mic, LV II , a fost realizat din ceramică rezistentă la zgârieturi și a încorporat o alarmă. Ambele modele au devenit instantaneu clasice, ulterior poreclite cu afecțiune „Monterey” – un joc de cuvinte cu cuvântul francez montre (ceas) și pronunția sa americană. 

Decenii mai târziu, farmecul neconvențional al modelului Monterey a reapăr

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